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CIMA da Conegliano
Italian Painter, ca.1459-1517 Italian painter. He belonged to the generation between Giovanni Bellini and Giorgione and was one of the leading painters of early Renaissance Venice. His major works, several of which are signed, are almost all church altarpieces, usually depicting the Virgin and Child enthroned with saints; he also produced a large number of smaller half-length Madonnas. His autograph paintings are executed with great sensitivity and consummate craftsmanship. Fundamental to his artistic formation was the style that Bellini had evolved by the 1470s and 1480s; other important influences were Antonello da Messina and Alvise Vivarini. Although Cima was always capable of modest innovation, his style did not undergo any radical alteration during a career of some 30 years, and his response to the growing taste for Giorgionesque works from the early 16th century remained superficial. He seems to have maintained a sizeable workshop,

 

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CIMA da Conegliano The Annunciation dfg oil painting

Painting ID::  6027

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CIMA da Conegliano
The Annunciation dfg
1495 Tempera and oil on canvas transferred from wood, 136,5 x 107 cm The Hermitage, St. Petersburg
   
   
     

 

 

CIMA da Conegliano The Annunciation (detail) dsg oil painting

Painting ID::  6028

X 
 

CIMA da Conegliano
The Annunciation (detail) dsg
1495 Tempera and oil on canvas transferred from wood The Hermitage, St. Petersburg
   
   
     

 

 

CIMA da Conegliano St. Helena sdgdf oil painting

Painting ID::  6029

X 
 

CIMA da Conegliano
St. Helena sdgdf
1495 Panel National Gallery of Art, Washington
   
   
     

 

 

CIMA da Conegliano Madonna of the Orange Tree dfg oil painting

Painting ID::  6030

X 
 

CIMA da Conegliano
Madonna of the Orange Tree dfg
c. 1495 Tempera and oil on panel, 12 x 139 cm Gallerie dell'Accademia, Venice
   
   
     

 

 

CIMA da Conegliano Madonna Enthroned with the Child dfg oil painting

Painting ID::  6031

X 
 

CIMA da Conegliano
Madonna Enthroned with the Child dfg
Panel Galleria Nazionale, Parma
   
   
     

 

 

CIMA da Conegliano The Madonna and Child with St John the Baptist and Mary Magdalen dfg oil painting

Painting ID::  6032

X 
 

CIMA da Conegliano
The Madonna and Child with St John the Baptist and Mary Magdalen dfg
1510-15 Wood, 167 x 110 cm Mus??e du Louvre, Paris
   
   
     

 

 

CIMA da Conegliano Madonna and Child dfhdt oil painting

Painting ID::  6033

X 
 

CIMA da Conegliano
Madonna and Child dfhdt
c. 1504 Tempera on wood, 66 x 57 cm Galleria degli Uffizi, Florence
   
   
     

 

 

CIMA da Conegliano The Presentation of the Virgin dfgf oil painting

Painting ID::  6034

X 
 

CIMA da Conegliano
The Presentation of the Virgin dfgf
Wood Gemäldegalerie, Dresden
   
   
     

 

 

CIMA da Conegliano The Incredulity of St. Thomas with St. Magno Vescovo fg oil painting

Painting ID::  6035

X 
 

CIMA da Conegliano
The Incredulity of St. Thomas with St. Magno Vescovo fg
c. 1505 Tempera and oil on panel, 215 x 151 cm Gallerie dell'Accademia, Venice
   
   
     

 

 

CIMA da Conegliano St Peter Martyr with St Nicholas of Bari, St Benedict and an Angel Musician dfg oil painting

Painting ID::  6036

X 
 

CIMA da Conegliano
St Peter Martyr with St Nicholas of Bari, St Benedict and an Angel Musician dfg
1504 Oil on panel, 330 x 216 cm Pinacoteca di Brera, Milan
   
   
     

 

 

CIMA da Conegliano Madonna Enthroned with the Child, St Francis and four Angels (detail) sd oil painting

Painting ID::  6041

X 
 

CIMA da Conegliano
Madonna Enthroned with the Child, St Francis and four Angels (detail) sd
1278-80 Fresco, 73 x 60 cm (full painting: 320 x 340 cm) Lower Church, San Francesco, Assisi
   
   
     

 

 

CIMA da Conegliano Annunciation oil painting

Painting ID::  29131

X 
 

CIMA da Conegliano
Annunciation
mk65 1495 Tempera and oil on canvas transferred from panel 54x42"
   
   
     

 

 

CIMA da Conegliano Madonna and Child oil painting

Painting ID::  29805

X 
 

CIMA da Conegliano
Madonna and Child
mk67 Tempera on panel 26x22 7/16in Uffizi,Gallery
   
   
     

 

 

CIMA da Conegliano St.Jerome in the Desert oil painting

Painting ID::  29806

X 
 

CIMA da Conegliano
St.Jerome in the Desert
mk67 Panel 13x10 7/8in Pitti,Meridiana
   
   
     

 

 

CIMA da Conegliano Recreation by our Gallery oil painting

Painting ID::  32613

X 
 

CIMA da Conegliano
Recreation by our Gallery
mk79
   
   
     

 

 

CIMA da Conegliano Baptism of Christ oil painting

Painting ID::  41204

X 
 

CIMA da Conegliano
Baptism of Christ
mk157 1493-94 Wood 210x350cm
   
   
     

 

 

CIMA da Conegliano The Virgin and Child oil painting

Painting ID::  42914

X 
 

CIMA da Conegliano
The Virgin and Child
mk170 1495-1500 Oil on wood 69.2x57.2cm
   
   
     

 

 

CIMA da Conegliano Sta Helena oil painting

Painting ID::  53708

X 
 

CIMA da Conegliano
Sta Helena
mk234 about 1495 40x32.5cm
   
   
     

 

 

CIMA da Conegliano St. Jerome in the wilderness oil painting

Painting ID::  58145

X 
 

CIMA da Conegliano
St. Jerome in the wilderness
mk261 Florence, Ukrainian Fiji art museum
   
   
     

 

 

CIMA da Conegliano Hieronymus in einer Landschaft oil painting

Painting ID::  68290

X 
 

CIMA da Conegliano
Hieronymus in einer Landschaft
Technique Oil on panel Dimensions Deutsch: 32 ?? 25,5 cm
   
   
     

 

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CIMA da Conegliano
Italian Painter, ca.1459-1517 Italian painter. He belonged to the generation between Giovanni Bellini and Giorgione and was one of the leading painters of early Renaissance Venice. His major works, several of which are signed, are almost all church altarpieces, usually depicting the Virgin and Child enthroned with saints; he also produced a large number of smaller half-length Madonnas. His autograph paintings are executed with great sensitivity and consummate craftsmanship. Fundamental to his artistic formation was the style that Bellini had evolved by the 1470s and 1480s; other important influences were Antonello da Messina and Alvise Vivarini. Although Cima was always capable of modest innovation, his style did not undergo any radical alteration during a career of some 30 years, and his response to the growing taste for Giorgionesque works from the early 16th century remained superficial. He seems to have maintained a sizeable workshop,